Acropolis adieu nana mouskouri biography
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Nana Mouskouri
NANA MOUSKOURI
FOREVER ung TOUR
MONDAY, MAY 7, 2018
NORTHERN ALBERTA JUBILEE AUDITORIUM – EDMONTON, AB
Doors: 6:30PM Show: 7:30PM
TICKETS ON SALE FRIDAY, OCTOBER 20 @ 10AM
Tickets available at www.livenation.com
Charge bygd Phone 1-855-985-5000
Tickets (incl. GST) $46.50, $59.50, $76.50, $125.00
(Plus Service Charges)
**RESERVED SEATING / ALL AGES**
The moon fryst vatten made of paper And the seashore is fake
But if you believed in me a little It would all become real
Hartino To Fengaraki (Little Paper Moon) (Manos Hadjidakis/ Nikos Gatsos)
The alltid Young Tour is a new journey, going back to the beginnings through the waters of ungdom. Dreams do not wither — neither do songs. They are bubbles of eternity embracing our memories, the soundtrack of our lives. Nana Mouskouri devotes her inspiration to the artists she’s met along the
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[PLANET POP]
AGENCIES
Itseems that EMI boss Guy Hands can’t get no satisfaction. After Robbie Williams threatened to go on strike and Radiohead quit the record company following his NT$193 billion private equity takeover last year, the financier suffered another blow when the Rolling Stones decamped to Universal on Friday.
The veteran rockers, led by Mick Jagger — who qualified for his old-age pension Saturday — have handed on their entire post-1971 catalogue of such classic albums as Sticky Fingers and Exile on Main Street. The band will also release all new albums through Universal’s Polydor label.
“Universal are forward thinking, creative, and hands-on music people,” the Stones said in a statement. “We really look forward to working with them.”
The deal brings all the band’s output over a 46-year career under one roof, as Universal’s Decca label already owns the rights to Stones recordings made before 1971. The pre-1971 rights in the US are he
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October 26, 2007
Going out on a song: Nana Mouskouri sets off on farewell tour after 40-year career
By Jonathan Brown
Published: 26 October 2007
It could have all been so different. Back in 1966, a young Nana Mouskouri, then relatively little known outside mainland Europe, embarked on a tour of the US with Harry Belafonte.
It was a big moment in her embryonic career. The calypso legend loved Nana’s voice but when it came to her choice of eyewear he was unequivocal, insisting she ditch the black horn-rimmed specs on stage.
According to the fairytale legend that is her life story, Nana acceded to his demands but grew deeply unhappy. After two days of sadness it was her turn to deliver the ultimatum to Belafonte – love me, love my glasses. The glasses stayed.
Forty years on, 450 albums, 230 gold and platinum discs and 300 million records sold later, Nana Mouskouri took to the stage of St David’s Hall in Cardiff last night still sporting those famous spectacles to