360 portable planetarium sarah sze biography

  • Sarah sze nationality
  • Sarah sze net worth
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  • From March 2015 to June 2016, we invited 120 artists—local, national, and global—to choose individual works of art or galleries that sparked their imaginations. In this online series, artists reflect on what art fryst vatten, what inspires them from across 5,000 years of art, and in so doing, they reveal the power of a museum and The Met.

    "I think a lot of people panic, and it's not just the claustrophobia: it is the intensity of that experience."

    Artist Sarah Sze reflects on the Tomb of Perneb in this episode of The Artist Project—an online series in which artists respond to works of art in The Met collection.

    About the Artist
    Sarah Sze, born in 1969, fryst vatten an American sculptor and installation artist.

    Sarah Sze (American, born 1969)

    360 (Portable Planetarium), 2010

    Mixed media, wood, paper, string, jeans, rocks; 162 × 136 × 185 in. artighet of National Gallery of Canada, Ontario © Sarah Sze


  • 360 portable planetarium sarah sze biography
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    Quick facts for kids

    Sarah Sze

    Born1969 (age 55–56)

    Boston, Massachusetts, US

    Alma materYale University, BA 1991
    School of Visual Arts, MFA 1997
    Known forSculpture
    Spouse(s)Siddhartha Mukherjee
    AwardsMacArthur Fellow
    2003
    US Representative for the Venice Biennale
    2013

    Sarah Sze (; born 1969) is an American artist and professor of visual arts at Columbia University. Sze's work explores the role of technology, information, and memory with objects in contemporary life utilizing everyday materials. Her work often represents objects caught in suspension. Drawing from Modernist traditions, Sze confronts the relationship between low-value mass-produced objects in high-value institutions, creating the sense that everyday life objects can be art. She has exhibited internationally and her works are in the collections of several major museums.

    Early life and education

    Sze was born in Boston in 1969. Her father, Chia-Ming Sze

    Being There

    You go to Sarah Sze’s studio in Midtown Manhattan, not really knowing what to expect. Maybe you’ve seen her work — her installation Still Life with Landscape (Model for a Habitat), a bird-and-butterfly sanctuary of steel framework and wooden boxes, was perched on the High Line for a year starting in June 2011. Five years earlier, Corner Plot, in which a single corner of bricks and windows jutted from the pavement, suggesting a sunken apartment building, attracted passersby at Fifth Avenue and 60th Street. Or maybe you were at a party recently and saw, on a coffee table, Sze’s new monograph, with its cover image of 360 (Portable Planetarium). That sculpture, a skeletal sphere of fragile, possibly rickety construction, is crossed with radiating strings and spindly scaffolding, slung with random objects, and pierced with light — a cosmic meditation.

    Or maybe you’ve never seen Sze’s work, and are more aware of her reputation. She received a 2003 MacArthur foundati